RSS 게시판 2.0 /data/nasdata/homepage/JWIZARD_7.0.0_smu/sites/chungyoungyangen/ ko Wedding Banner Woven Pheonix and Dragon Design /bbs/chungyoungyangen/1763/152757/artclView.do 2019-03-02 00:00:00.0 총관리자 Wedding Banner Woven Pheonix and Dragon Design Chinese Qing dynasty 186cm(W) x 246cm(L) Banners were draped on walls close to the ceiling to keep the room warm and control or block light, while it can help protect privacy when hung near the bed or window. In Korea, it was the period of the Three Kin Ottoman Turkish Robe /bbs/chungyoungyangen/1763/152756/artclView.do 2019-03-02 00:00:00.0 총관리자 Ottoman Turkish RobeOttoman Turkish 19th century148.0cm(w) × 106.0cm(l) When the Ottoman Turks conquered the Byzantine empire in the 14th and 15th centuries, they inherited a sericulture and silkweaving industry that had been producing luxury silks for over a thousand years. The historian Procopius Thangka Embroidered with Figures of The Five Spirits of Destiny(Gobiin Lha) /bbs/chungyoungyangen/1763/152755/artclView.do 2019-03-02 00:00:00.0 총관리자 Thangka Embroidered with Figures of The Five Spirits of Destiny(Gobiin Lha)Mogol 19th century. 66.0cm(w) x 8.0cm(l) 'Thangka', which in the Tibetan language literally means ""that which can be rolled up"", refers to sacred paintings and embroideries displayed in the temples, monasteries and domestic Daoist Robe of Descent Embroidered with Gold-wrapped and Polychrome Silk Threads /bbs/chungyoungyangen/1763/152754/artclView.do 2019-03-02 00:00:00.0 총관리자 Daoist ""Robe of Descent"" Embroidered with Gold-wrapped and Polychrome Silk ThreadsChinese Qing dynasty. 153.5cm(w) × 127.0cm(l) The ""robes of descent"" (降衣, jiangyi) worn by Daoist priests when conducting certain rituals and ceremonies. The back of the robe would have been viewed most prominently Fan with Double-sided Embroidery /bbs/chungyoungyangen/1763/152753/artclView.do 2019-03-02 00:00:00.0 총관리자 Fan with Double-sided EmbroideryChinese Qing dynasty.26.8.5cm(d) The head of this rounded fan, featuring various kinds of birds and flowers with a rock and pine tree, is carefully stitched so that the same composition appears on both sides. This kind of painstaking workmanship is associated with lar Panel depicting a maiden on a floating lotus leaf. /bbs/chungyoungyangen/1763/152752/artclView.do 2019-03-02 00:00:00.0 총관리자 Panel depicting a maiden on a floating lotus leaf.Chinese, 17th century34.3cm(w) x 66.0cm(l) Embroidered screen panel depicting a maiden on a floating lotus leaf. Chinese, 17th century. This screen panel depicts a young woman wearing a robe that simulates the appearance and texture of actual brocade Young Woman’s theatrical robe. /bbs/chungyoungyangen/1763/152751/artclView.do 2019-03-02 00:00:00.0 총관리자 Young Woman’s theatrical robe.Chinese, 19th century.108.7cm(w) x 191.7cm(l) This theatrical robe represents an exaggerated version of a woman’s wedding costume, including an elaborated could collar, red jacket, and pleated skirt. Chinese opera utilized little background scenery and few stage sets, s Unity (Ten-Panel Folding Screen) /bbs/chungyoungyangen/1763/152750/artclView.do 2019-03-02 00:00:00.0 총관리자 Unity (Ten-Panel Folding Screen)by Young Yang ChungKorean 1960s429.2cm(w) x 198.5cm(l) Gracefully swimming fish, symbolizing wealth, abundance, and union, have remained a popular motif in East Asian painting and decorative art for millennia. Young Yang Chung received the commission for this piece in Unification (Ten-Panel Folding Screen) /bbs/chungyoungyangen/1763/152749/artclView.do 2019-03-02 00:00:00.0 총관리자 Unification (Ten-Panel Folding Screen)by Young Yang ChungKorean 1960s489.0cm(w) x 215.3cm(l) Rose of Sharon, the Korean national flower, begins to blossom in hot summer and keeps its beauty for long. The background is a Korean map showing the divide between the South and North illustrated with flowe Festival Badge with Dragon and Chrysanthemums /bbs/chungyoungyangen/1763/152748/artclView.do 2019-03-02 00:00:00.0 총관리자 Festival Badge with Dragon and Chrysanthemums Chinese Ming dynasty39.0cm(w) x 40.5cm(l) Featuring a shimmering dragon in couched gold thread and chrysanthemum blossoms in satin stitch, all embroidered over a diamond patterned, counted stitch background, this badge would have been attached to robes d Rank Badge of Third or Fourth Rank Military Official with Tiger Design /bbs/chungyoungyangen/1763/152747/artclView.do 2019-03-02 00:00:00.0 총관리자 Rank Badge of Third or Fourth Rank Military Official with Tiger DesignChinese Qing dynasty27.2cm(w) x 26.8cm(l) During the 18th century, the combined use of brush painting along with weaving and/or embroidery was popular for the decoration of Chinese rank badges. This badge is woven in kesi on a war Rank Badge of Fifth Rank Civil Official with Silver Pheasant Design /bbs/chungyoungyangen/1763/152746/artclView.do 2019-03-02 00:00:00.0 총관리자 Rank Badge of Fifth Rank Civil Official with Silver Pheasant DesignChinese Qing dynasty24.0cm(w) x 23.0cm(l) During the 18th century, Chinese embroiderers and weavers began to include various auspicious symbols and landscape compositions in rank badge design. Rank Badge of First Rank Civil Official with Crane Design /bbs/chungyoungyangen/1763/152745/artclView.do 2019-03-02 00:00:00.0 총관리자 Rank Badge of First Rank Civil Official with Crane DesignChinese Qing dynasty27.8cm(w) x 28.0cm(l) This badge features an expertly rendered background of seamless gold couching, an embroidery technique particularly fashionable during the reign of the Yongzheng emperor (r. 1722-1735) Woman s Chuba Fashioned from a Chinese Chaogua (court vest) /bbs/chungyoungyangen/1763/152744/artclView.do 2019-03-02 00:00:00.0 총관리자 Woman's Chuba Fashioned from a Chinese Chaogua (court vest)17th centuryChinese fabric tailored in Tibet182.0cm(w) x 143.0cm(l) This robe was fashioned in Tibet from a sleeveless vest worn by Ming and Qing court ladies. The style of the dragons and the celestial landscape indicate production during t Twelve-symbol Semiformal Robe Worn during a Ritual for Rain /bbs/chungyoungyangen/1763/152743/artclView.do 2019-03-02 00:00:00.0 총관리자 Twelve-symbol Semiformal Robe Worn during a Ritual for RainChinese Qing dynasty206cm(w) x 138cm(l) At ancestral rites, the emperor and officials wore different colors based on the five elements according to the subject of the ancestral rite. They wore red while praying to the sun, sky blue for the m Panel Depicting Scholar’s Objects /bbs/chungyoungyangen/1763/152742/artclView.do 2019-03-02 00:00:00.0 총관리자 Panel Depicting Scholar’s ObjectsChinese Qing dynasty 17th century34.2cm(w) x 65,7cm(l) This exquisitely embroidered silk panel, a pair with that shown in Figure 11, shows typical accouterment of a refined scholar, including a dragon-patterned blue-and-white porcelain vase holding a flowering peony, Fragment of a Weft Faced Compound Twill(jin) /bbs/chungyoungyangen/1763/152741/artclView.do 2019-03-02 00:00:00.0 총관리자 Fragment of a Weft Faced Compound Twill(jin)Chinese Tang Dynasty 8th century19.5cm(w) x 27cm(l) This fragment illustrates the naturalistic bird and flower patterns that become increasingly popular in Chinese textile design through the last half of the eighth century. Woven with yellow, pink, green, Bronze Mirror with Remains of Embroidered Silk Cover /bbs/chungyoungyangen/1763/152740/artclView.do 2019-03-02 00:00:00.0 총관리자 Bronze Mirror with Remains of Embroidered Silk CoverChinese Warring States period (475-221 BCE)11.2cm(d) This bronze mirror and its embroidered silk cover, both prestigious and cherished luxury items at the time they were produced, were buried with their original owner. Although some of the plain-we